Three from Facebook Notes by Thom Hart

pieces

by Thom Hart on Thursday, June 10, 2010 at 1:38am

I hand pieces of me out. 
they rarely 
if ever
are returned
it's a funny process

getting away with murder

by Thom Hart on Monday, May 17, 2010 at 8:11pm

romance is dead 
chivalry is dead
Latin is dead 

what else have 
these modern times killed?

thinking moving wasting.

by Thom Hart on Monday, May 10, 2010 at 11:07pm

wasted time
wasted faces
look around
and see the places

you could have been 

[Editor's note: Thom Hart has shut down his facebook account.]

From the long overdue (re)readings (XI)

Occasionally, at different times of day toward the end of the week, one can see groups waiting at a crossroads for a train. One is never sure whether the train will come at all or where it will stop if it does. It often happens, therefore, that people wait in two different places, unable to agree where the stop is. They wait for a long time standing in a black, silent bunch alongside the barely visible lines of the track, their faces in profile: a row of pale cut-out paper figures, fixed in an expression of anxious peering.

Bruno Schulz, "The Street of Crocodiles" (1934) in The Street of Crocodiles (Penguin, 1977) Trans. Celina Wieniewska. 107.

The Trusty Horse (after Hawthorne) by Ian Riley

As I neared the end of the pass, the bridge which I knew to look for came into sight, soaring majestically into the sky with the cables drawn taut, so unlike the skin of the ancient face with which I looked on. It had been designed in my youth, when the birds flew high in the sky and the sun shone gloriously as they swept past on their migratory course, unaware that man had now conquered the expanse of the skies above the canyon as well. My horse beneath me gave a cry as we drew closer, for the road was blocked ahead by several fallen boulders, which stood guard as the pass drew toward its end, closing all that was open, closing indeed as well upon my only way of departure, for the way back had been made impassable by a cacophonous rockslide which occurred as I rode by and my horse let out an even more obstreperous burst of flatulence. This was likely the result of a meal of beans eaten each day for the previous fortnight, and yet I saw how this could be an advantageous situation as we approached the newly fallen barricade. I turned my horse about, with his posterior facing the boulders, and prepared to wait as long as necessary for another bout of vapors to come over my animal. It was not a long interval before I noticed that my horse’s countenance had assumed an appearance of great distress. The sound echoed for miles around, and the way to the bridge was clear of boulders, though now blocked by a cloud of noxious fumes. I held my breath and ventured on, happy to be on my way.

My Clock Pants (after Vallejo), by Renee Waller

​My clock pants cripple me. I can never get them off even when I try to break them with a hammer. I try to run out of them, away from them, but nothing works. I'm trapped, entangled in a fabrication and no matter how much I grow, I never outgrow them. The sun tries to give me directions to its house. Out there my pants can't exist and then I can be free. Every day for a good twelve hours the sun keeps trying to help me but on the thirteenth hour it gets tired and gives up. I stay glued to Earth waiting for the sun to show up again. My clock pants limit me and often scare the sun away. My clock pants know I'm trying to get rid of them and they can't stand the idea. Jupiter helps my pants by putting me to sleep so the pants can grow tighter around my waist. I desperately shoot a bright red bullet wanting to pierce the fabrication but it doesn't work. I'm trapped in time.

project/installment 3. by Yea Weon Kim