Occasionally, at different times of day toward the end of the week, one can see groups waiting at a crossroads for a train. One is never sure whether the train will come at all or where it will stop if it does. It often happens, therefore, that people wait in two different places, unable to agree where the stop is. They wait for a long time standing in a black, silent bunch alongside the barely visible lines of the track, their faces in profile: a row of pale cut-out paper figures, fixed in an expression of anxious peering.
Bruno Schulz, "The Street of Crocodiles" (1934) in The Street of Crocodiles (Penguin, 1977) Trans. Celina Wieniewska. 107.
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